File Name: musical terms and symbols .zip
The five stave lines and four intervening spaces correspond to pitches of the diatonic scale which pitch is meant by a given line or space is defined by the clef.
List of musical symbols
Symbols and notes are: bass clef, treble clef, quarter note, half note, whole note, eighth note, sixteenth note, sharp, flat, staff, time signature, and repeat sign. Nomenclature cards are approximately 3 x 4 in. This item is available for instant download. Simply click "Click here to download your order" under Order Summary in the email you receive after making your purchase to download your PDF file s. Languages Chinese French Russian Spanish. Types of Musical Terms - Beginning. Part Number:
Musical Symbol Chart
For College Courses. F clef. G clef. French violin clef. F octave clef.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch , duration , dynamics , or articulation of musical notes ; tempo , metre , form e. A clef defines the pitch range, or tessitura , of the staff on which it is placed. A clef is usually the leftmost symbol on a staff although a different clef may appear elsewhere to indicate a change in register. Historically, clefs could be placed on any line on a staff or even on a space , but modern notation almost exclusively uses treble, bass, alto, and tenor clef.
They also know how to perform a musical composition when these terms and symbols are written in the music. Be a strong and literate musician. ACCIDENTAL. A.
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Musical notation , visual record of heard or imagined musical sound , or a set of visual instructions for performance of music. It usually takes written or printed form and is a conscious, comparatively laborious process. Its use is occasioned by one of two motives: as an aid to memory or as communication. By extension of the former, it helps the shaping of a composition to a level of sophistication that is impossible in a purely oral tradition. By extension of the latter, it serves as a means of preserving music although incompletely and imperfectly over long periods of time, facilitates performance by others, and presents music in a form suitable for study and analysis.
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